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Merci à tous les utilisateurs Eowave!!!!!!!!!!
Sensor
system users Les interfaces Eobody 1, 2 et 3 ont été utilisées pour différentes applications : installatons interactives, contrôleurs interactifs pour des applications musicales et vidéo, créations d'instruments augmentés, architecture, création d'espaces interactifs, industrie automobile, domaine médical.... |
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Interactive Music and visual arts |
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| verpimo rateliu koncertas Sv Ignoto baznycia | |
| KosmiX is a sound installation designed and build by Danny de Graan, Marien Hogerheide and Edo Paulus. It was commissioned by 't Muziekgebouw aan 't IJ and is part of the permanent collection of the Klankspeeltuin (sound play garden) based in Amsterdam. It is designed for children between the ages of 6 and 12. It consisted out of a rubberised floor (5x5m2) in which there are 64 plexiglas plates placed representing stars and planets (hence the name KosmiX). Underneath each star or planet is a light sensor mounted which can detect differences in light strength. If a child is stepping on a star or planet the sensor detects this and sends a signal to a computer which produces a specific sound. In this way children can make music by walking, sitting and playing on top of the KosmiX. | |
| Jürgen Schmitt- Symphonia der Himmlischen Offenbarung Symphonia armoniae caelestium revelationum Hymnen und Mysterienvisionen Zyklus für Sopran, Orgel und Elektronik nach Hildegard von Bingen www.duo-naiad.de http://juergen-schmitt-komponist.de/ http://www.susanne-pfitschler-schmitt.eu/ |
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Plastaga : Développement durable |
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Bugra Karabey: The Cry Of Nature |
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Piano
Mekanik Kantatik The concert-performance, Mekanik Kantatik, is a live audio-visual happening set around a piano by Nicolas Cante, musician, and Gilles Toutevoix, video-maker. The duo uses new technologies, computers, sensors and MIDI synchronisation, toys and mechanical objects which react with music and image. The programme of interactive sound and vision elements, and the live video-sound pick-up humanise the piano. The musician and the video-maker then become human robots, « human toys ». The duo becomes a trio. The 3 players improvise a theatrical presentation; their games propose a playful and imaginary journey somewhere between dream and reality. The musical inspiration is from wide-ranging sources, jazz to concrete music, electro to pop. Sensors are on/off or 0-127 midi used in ableton www.yovocorp.net http://www.myspace.com/mekanikkantatik |
| ENSCI - Ecole Nationale
Supérieure de Création Industrielle,
France http://www.ensci.com |
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Demeter Pièce de Karyn Mazel-Noury, Théâtre de la Vieille Grille à Paris, 2007/2008. L'Eobody nous a permis de réaliser un "arbre Lyre" : Après avoir fabriqué le son de notre instrument, nous avons assigné une note par 5 capteurs de pression. Nous les avons fixé sur les branches d'un arbre en fer forgé qui devient ainsi un instrument. |
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Cyrille Brissot Cyrille Brissot conçoit, réalise et manipule les contrôleurs permettant de recréer, sur scène, les effets imaginés par Emilie Simon pour sa musique et sa voix ... Ils sont imaginés de façon à ce que leur action soit "visualisable" par le public. Il collabore avec différents artistes en réalisant la musique de films (Jeux de mains, court-métrage de Natacha Cucheval, 1999), d'expositions (Marina Abramovic aux ateliers Calder, Azay le Rideau, 2000, Peggy Preheim Works and Paper Inc., Los Angeles, 2002), de chorégraphies (Valeria Apicella, Ganga, Bezons, 2002), de spectacles (son et lumières Si Précy m'était compté, Saint-Sulpice, 1999). Il collabore également avec Nicolas Frize et développe le logiciel de spatialisation utilisé pour Poussières d'étoiles (Cité des Sciences, Paris, 2001). http://www.followthebluelight.com |
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Art Zoyd Formed in Valenciennes in 1969, Art Zoyd was initially a progressive rock group, influenced by the music of Captain Beefheart, Frank Zappa and the like. The group decided to explore the combination of music and visual arts, whether performing arts such as dance and drama, or silent movies and video. Now based in Valenciennes, the group has turned regularly in Europe and the States (Lincoln Center Festival in New York), Hong Kong, Australia (Adelaide Festival), Japan (1997 and 2002) and Mexico (1996, 1999 and 2003). Art Zoyd is increasingly focusing on research, particularly in electronic instruments and interfaces (sensors, theremin, real time, etc.), in conjunction with Kasper T. Toeplitz as well as various production assistants and developers, some of which are from other studios or institutes. 2003 saw the creation of La Nuit du Jabberwock for musicians, a plastic artist and sensors. In 2004 came Armageddon, an "operetta" for robots, video, sensors and musicians, which brought together 10 musicians, 21 robots, real time video and synthesized voices. In 2005, Magasins Réunis with Ars Nova. In 2006, Le Champ des Larmes Oratorio électronique. www.artzoyd.com |
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Patricia Dallio
"J’ai été initiée aux capteurs par le thereministe Laurent Dailleau afin d’ interpréter une pièce de Kasper Toeplitz, lors d’une commande Art Zoyd pour le spectacle Armageddon. J’ai découvert alors cette sensation extraordinaire d’avoir physiquement le son dans le creux de la main et de pouvoir en contrôler les diverses modulations en me mouvant dans l’espace. C’était vraiment incroyable : j’ai vu la porte d’un autre monde s’ouvrir, et je l’ai franchie en toute inconscience du travail qui nous attendait pour commencer à maîtriser l’instrument, développer les interfaces et remettre en question l’écriture de la musique ! Je suis encore sur le seuil, mais déjà je constate que l’impact sur la musique et son interprétation dépasse tout ce que j’avais imaginé… 
Yép Yukari Bertocchi-Hamada & Patricia Dallio |
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Laurent Dailleau Laurent Dailleau and his Theremin with Cécile Babiole & Atau Tanaka create together a dynamic sound/image environment. SSS (Sensors Sonics Sights)is a trio performing visual music with sensors and gestures. They create a work of sound and sight, a laptop performance that goes beyond with the intensity of bodies in movement. A three-way conversation modulating sonic and luminous pulse and flow. Sensors capture gesture and corporeal movement, translating them into digital data: measure the distance between the performer’s hands and her machine, allowing her to articulate 3D imagery, navigating in color, scale, texture while Laurent Dailleau's Theremin sends MIDI via an Eobody. http://www.xmira.com/sss/ |
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Atelier des Feuillantines |
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Léon
Milo: Trio d'Argent dans EL HORIZONTE Des capteurs ont été placés sur le fil de la fil de fériste Solaine Caillat pour que le fil réagisse comme une corde d'instrument et réponde aux pas et aux mouvements de la danseuse. Des micros sur le fil et des capteurs - trois capteurs de distance sur le ressort du fil et sur les platesformes et quatre rayons lasers reliés l'Eobody envoient des informations audios et midi générées par les divers mouvements de la fil de fériste. Ces informations traitées en temps réel dans des patchs de Max/MSP modifient les informations audios venant des micros des flûtistes ou déclenchent des séquences sons. http://trio.argent.free.fr/PDF/Horizont.pdf |
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Emilie Simon Emilie Simon and Cyrille Brissot are using different Eowave instruments during their performances: the Eobody sensor system, the Persephone, an interactive glass tile... |
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Jonathan Tanant |
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Mileece CORE, London, October 2006 Mileece has made an immersive dark installation where rubbing plants makes interesting sounds.Sensors capture the plant noises in a room with peat underfoot and pin pricks of neon light emerging from soft-looking walls. http://illuminateproductions.co.uk |
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KASSIAN & ULRICH TROYER:
CONCENTRATION MACHINE At the interferenze festival 2006 (Italy), the chef Philipp Furtenbach and two musicians Kassian and Ulrich Troyer explored the relationship between local food and its associated sounds collected from the environs. After returning, the three chose to continue their collaboration and to develop a tool they have dubbed VERDICHTUNGSMASCHINE (CONCENTRATION MACHINE). To realize this end, throughout 2007 Kassian & Ulrich programmed a computer-based and sensor-driven application in which sounds are collected by microphones and processed in real-time while these acoustic snapshots further feed the memory section of the machine. Simultaneously, various sensors (registering temperature, movement & light ) reach out like tentacles and grab information from the surrounding environment directly affecting the sonic part of the performance. The machine was tested for the first time in august 2007 at a farm in Prigglitz. CONCENTRATE # PRIGGLITZ (2007) http://www.ulrichtroyer.com/projects_concentratePRIGGLITZ.php watch the documentation video: http://www.ulrichtroyer.com/media/concentratePRIGGLITZ.mov watch the documentation video: http://www.ulrichtroyer.com/media/concentrateVALLECAUDINA.mov http://www.ulrichtroyer.com/ http://www.kassiantroyer.com/ |
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Mickael Bradke Music4Kids For many years now Michael Bradke has been collecting noise-sound-making tools, musical instruments, soundproducing found objects and musical game rules from all around the world for his Mobile Music Museum. Music4Kids: children discover the world of music. Exploring sounds, experiencing music, playing instruments. In the Forum 1 of the Musikmesse Frankfurt. More infos www.musikaktion.de |
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Emmanuelle Gallin The Whispering Forest is an interactive audio-visual installation. This immersive dark and ferric environment is a journey into memories from the childhood, unconscious fears of the unknown as well as the discovery of a new world. Nature is becoming human, whispering trees are starting conversations when a human being walks by, vegetal creatures are taking life, spreading lights, bouncing, whispering, sometimes screaming... The Whispering Forest records the sequence of each visitor particular moves and forestalls the behaviour of the next passenger, leaving a permanent markage of the passage of the human beings in this imaginary landscape. http://www.mesi.fr/emmanuelle/ |
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Kassian & Ulrich Troyer:
A tent in the Park (continuous 3 day process/ 2008) 23.05.-25.05.2008 @ Caleidoscope Art Festival, Danube Park, Novi Sad (Serbia) A tent in the park. Something is hiding inside, collecting and digesting the sound of its surroundings. Tentacles reach out and grab information from the environment. The sonic memory becomes an audible, raw and archaic soundscape that represents the essence and character of the site: Sound transforms the site, site transforms the sound. "A tent in the park" is part of the ongoing sound installation project "Concentrate #," which has been realized in various locations in Italy, Austria and Serbia. A computer-based and sensor-driven application collects sounds via microphones and processes them in real-time while these acoustic snapshots further feed the memory section of the machine. Simultaneously, various sensors (registering temperature, movement & light ) grab information from the surrounding environment directly affecting the sonic part of the performance. A sonic memory unveals a sonic subconsciousness and the essence of the site. An important part of the project is the social interaction with the local residents. The sound-installation tent becomes a meeting point and place for discussions, with servings of freshly grounded italian coffee. http://www.ulrichtroyer.com/projects_concentrateNOVISAD.php |
Architecture and interactive spaces
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Laboratoire d'Espaces Intelligents |
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Keren Ann en live : "My name is trouble" |
Keren Ann |
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Peter Chistopherson "Just to let you know that I have been playing my Persephone live, with my band Throbbing Gristle, to great acclaim! We played in the Turbine Hall of the Tate Modern Gallery in London (The largest space in the most important of Britain's National Art Galleries) to a sold out audience of about 1000 and received a 10 minute standing ovation! (The first any artist has received there!) And also just played for 3 days at London's Institute of Contemporary Art on the Mall, where I used the Persephone to record tracks for a forthcoming version of Nico's Desertshore album. The Persephone is a truly fantastic instrument to play live. The range of frequencies extraordinary - the low end was literally shaking the building and apparently could be heard on the bridge outside! It is the most intuitive and enjoyable live instrument I have ever had the privilege to play." Peter Christopherson (throbbing gristle / coil / threshold houseboys choir), 2007-06-26. www.thresholdhouse.com www.myspace.com/thresholdhouse |
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Peter Pringle Famous theremin player Peter Pringle & the Persephone The Persephone fingerboard continuous controller is an analogue synthesizer capable of portamento over a range of more than ten octaves. As a portamento instrument, it is related (at least in spirit) to the theremin, and to such instruments as the ondes Martenot and the now obsolete Hellertion. Since I have a Persephone in my studio I thought I would include a sample of what it sounds like. http://www.peterpringle.com/persephone.html |
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OSCESTRA Electronic Oscillator Orchestra uses a Persephone, a Sci-FiBug and a SpaceBug for electronic ambient-, experimental-, minimal- and soundtrack-music. http://www.oscestra.net/tracks_02.html http://www.oscestra.net |
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Alexis French musical saw maker Alexis with his custom
green python Persephone. |
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Jaka Ropret Slovenian musician Jaka Ropret is the owner of the first Persephone. He's done several concert with the Persephone. jaka01.mp3 jaka02.mp3 |
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Jonathan Thoma, chanteur guitariste et programmeur
du groupe français SuperFudgeChunk, tisse un mélange
entre onirisme et mélancolie,entre atmosphère et énergie
où se côtoient guitares , sonorités orientale,
beats tribaux , voix lancinantes... Jonathan utilise le Persephone dans de nombreuses compositions personnelles et sur scène avec SuperFudgeChunk : "le son de cet instrument est tout simplement magnifique , il ressort immédiatement dans un mix, et surtout on est face à un instrument qui permet un jeu exceptionnellement vivant à la façon d'instruments traditionnels tels que le oud, le violon, le duduk... et en plus il est beau !" Jonathan envisage l'achat d'une interface Eobody afin de créer l'instrument de ses rêves, entre esthétique visuelle et démence sonore... A suivre. Jonathan Thoma, singer guitarist
and programmer of the French group SuperFudgeChunk, weaves a mix
of melancholy and dreamlike athmospheres with energy which combines
guitars, Eastern sounds, tribal beats, emotional vocals ... |
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OSCESTRA Electronic Oscillator Orchestra uses a Persephone, a Sci-FiBug and a SpaceBug for electronic ambient-, experimental-, minimal- and soundtrack-music. http://www.oscestra.net/tracks_02.html http://www.oscestra.net |
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